Pabst’s stuttering version of Brecht’s updating of The Beggar’s Opera, depicting the aftermath of the marriage between Mack the Knife and Polly Peachum, daughter of the King of the beggars in early twentieth century London, is a visually stunning work that is unfortunately fatally let down by some rather stilted dialogue and a general lack of credibility. Iain.Stott
Thursday, 4 December 2008
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